Sustainability and madness when Henrik Vibskov shows at Paris fashion week

It’s been 20 years since the danish fashion designer Henrik Vibskov left Central saint Martins to start his own brand, and this year it’s celebrated with a cake collection. The men’s A/W 2021 collection was shown during the digital Paris fashion week. The collection is inspired by the different colors, textures and shapes of cake as well as tablecloths, baking tools and pastry chefs. In the collection we see creamy pastels, large checked patterns and playful colors that mirror the theme. 

Other than the show the collection is portrayed in “The collection video”. The video presents a set with green gel cakes in a surrealistic baking factory, all in a fantasy world on napkin-trees and laser gel pearls. The video ends with the models celebrating with green jello cakes and green drinks at a large table showing the inspiration for the collection: cake and how it’s connected to celebration.

All fabrics for the collection have been chosen based on their sustainable qualities. The garments are made from organic and or upcycled cotton, recycled polyester and PET bottles, tencel made from upcycled cotton and cellulose fibres and European linen and virgin wool. The set for the collection video was made of the material from an old set to minimize the usage of new material and environmental impact.


5 things Scandinavian brands should learn from Prada’s latest show

In a time where traditional fashion shows are not an option, Prada is getting creative in their ways of reaching out to customers. We listed 5 key takeaways from the show that we want to see more of from Scandinavian brands.

1. A digital physical presentation

Miuccia Prada and Raf Simons’ first menswear collection together for Prada was live-streamed from Milan on Sunday the 17th available for anyone to watch. The show took place in an abstract scene of four connected rooms with walls and floors clothed in faux fur, resin, marble, plaster, different textures, hard and soft materials. It could be seen as both interior and exterior and was an important part of giving a physical feeling when the show could only be seen digitally. The space created by Rem Koolhaas and AMO (a part of OMA) was meant to excite and provoke our senses, and give an intimate connection to our surroundings. The collection was shown with no present audience and it could only be seen via the digital presentation. Muccia says she likes the thought that the shows are available simultaneously for everyone, making fashion more including. She wants to hang on to this virtual development even when physical shows return. 

2. Community interaction

After the show Prada and Simons let a selection of students from colleges and universities around the world ask live questions about the collection. The two designers sat together in the Milan HQ and answered questions and held discussions with the students via live video chat. This concept of letting an audience ask questions directly to the designers minutes after a show has never been seen before like this in fashion. Prada chose to open up this discussion instead of limiting the conversation to a small group of gatekeepers as it’s usually done in fashion. Showing us how technology can be used as a tool to open up unique discussions in fashion.

3. Virtual reality and 3D space

On their website, Prada has made it possible for viewers to virtually walk through the show scene and take a closer look at the interiors and the collection that’s portrayed on mannequins in the different showrooms. Viewers can click their way through and use the floor plan view, dollhouse view, and measurement tool for garments. The show scene is even available to view in VR. Customers are given a super close look of the collection along with the experience of the show scene allowing more people to be closer than ever to the actual show

4. Old traditions and new technology

There are still feelings of a typical runway show such as sending out a physical invitation and the look photographs making it familiar. But then it’s combined with a digital presentation of the collection and the different uses of technology to make the show and the experience of it available in a much wider range. Prada is showing us great examples of how technology can be used to enhance the experience and availability of fashion shows and states that this is something that they will continue developing further on.

5. It’s still about the product

Innovations aside, the show still represented the great level of design that we all expected from a duo of Prada and Simons. The collection contains a range of oversized outerwear, the bomber jackets for example, typical for Raf Simons. As a base for the collection, the designer duo had the ”body suit” which were seen under well-tailored suits and colorful jackets. Prada and Simon’s collection has been received with great reviews and pleased customers. The show and everything that comes with it is a mixture of the traditional runway experience and features of new technology. Prada balances the personal touch with a unique way of making fashion for everyone.


CDLP launches the ideal work-from-home suit

Working from home has been desired over the past couple of years, and with the global Corona related restrictions it has even turned into an obligation for many. “HOME” is CDLP’s take on dressing for the fluctuating home office occasion, that is supposed to be both comfortable and professional at the same time. 

The capsule collection includes a short suit and long suit in navy blue and burgundy, as well as a burgundy robe. All the pieces are made out of the Swedish brand’s signature lyocell fabric to help you tackle both indoor and outdoor conditions, when errands force you to leave the comfort of the home.

CDLP have turned to French artist Sébastien Tellier to model the collection, and utlizes the German photographer Jonas Unger to capture the joie de vivre essence of the collection and model.